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REPO: The Genetic Opera March 4, 2009

Posted by masterofputnams in Movies.
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genetic-opera1So, for those of you who are infected with a tragic disease we refer to as “weaksauce” around these parts, you may not have seen the greatest thing to come from alternative futures where massive organ failure claims almost as many victims as the organ-repossessing legalized assassins who lurk the streets at night since that time Laura went crazy in eighth grade with a scalpel and a slew of FCMs.  REPO is, for the most part, a traditional opera, except the parts where it totally kicks ass and features catchy pop-rock and metal undertones instead of the higher brow, “pretentious” classical music that prevails in most operas.  This is not to say that it doesn’t have it’s own moments of foreign languagey soprano goodness- it merely means that those are only moments, and for the rest, you get to sing about how zydrate comes in a little glass vial (a little glass vial?) *a little glass vial*.  Also, it’s important to remember that once you watch this movie, the songs will stay stuck in your head pretty much forever.  And I mean -forever-.  The cast is all actors of fair reputation in their various crafts, starring Alex Vega, the girl from Spy Kids, as Shilo, who is, as is of course natural in this situation, infected by her genetics (which are a bitch), Anthony Head as her father, Sarah Brightman as well, a world class soprano (a stretch, huh?), and Paris Hilton as a spoiled whore with an immensely rich and powerful father and a drug addiction (also a stretch).  The plot is interesting enough to hold focus while listening to your mind and notions about opera be assaulted by the catchy lyrics and colorful (if slightly blue) displays.  In the end, all you can really do is sit around and hope for REPO 2, which may actually occur.  Also, as far as artistic style goes, REPO can hang with most of the best of them- comic book style intro and narration for key plot points throughout, trendyish gothic leather and lots and lots of blood match the tone perfectly to the mood of the film, engrossing you into a splendid bloodbath romp lasting just long enough to blow your fucking mind.  But, why are you still reading this? If you haven’t seen it yet, go fucking watch it.  If not, go fucking watch it again, or zombie ninja clowns will come wearing brightly coloured pigeontrousers and devour your mushrooms.  And then what’re you going to do for fun?

My Dawn of the Dead Poster February 13, 2009

Posted by museandwaffles in Art, Movies.
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I’m a major Dawn of the Dead nerd (the original, not the unneeded remake). Here’s a poster that I made about it.

"When there's no more room in hell, the dead will walk the earth."

"When there's no more room in hell, the dead will walk the earth."

Coraline February 8, 2009

Posted by museandwaffles in Movies, Unaided Trippiness.
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Hey, everybody! Go see Coraline. It’s awesome!

Bill and I went yesterday and saw it in 3-D and everything. The visuals look incredible and it has a great storyline that can be interpreted in many different ways. The score is also interesting, for all those soundtrack nerds out there. Though it is animated, it is definitely not a kid’s movie exclusively,  because of the variety of meanings, etc. One thing I didn’t understand is that the audience didn’t seem to follow most of the funny parts. Bill and I would be totally guffawing and everyone else would be staring mindlessly at the screen, kind of like when you watch one of those “Don’t Smoke Weed” commercials in the theatre and no one seems to get the funniness except you. Staring mindlessly…this brings me to my interpretations of the story (a story by none other than the great Neil Gaiman).

Those familiar with Mew might recognize this line from “The Saviours of Jazz Ballet:” ‘Hollow hearts make for pleasant lives.’ One of the interpretations that I brought away from the movie is the idea of put-on blind optimism being an easier, but fake way of living. Had Coraline sewed the buttons on her eyes and taken away her true vision, she could have lived in the perfect world forever, but instead she looked for herself and saw that the perfect world was incomplete, cruel, and meaningless. 

I don’t usually like 3D that much, but the depth added to the visuals was pretty awesome. There weren’t very many instances of , you know, Disney World, stuff jumping into your face 3D. I consider the lack of obnoxious 3D trickery to be a good thing, though. Coraline also had one of the best opening title sequences I’ve ever seen. Even the opening title sequence has meaning to the story once you look back, even though at first it seems just like a very good simple illustration of the idea of reincarnation. The creativity behind this movie is evident in the many trippy moments, where you’re all like “whooooooooa. duuuuuuude.”

Trippiness Rating: 9 Yeah, it’s pretty trippy in places. 

Visuals: 9.5 Awesome.

Story: 10 Go see it.

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